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Shoes and Craft

A shoemaker's blog about shoemaking


Long story short – as this customer doesn’t need a long introduction –  a new pair, made with hundreds of krystals and care. The design, material choice was 100% my decision. Some might say that it is not my style – which seems like a good assumption as I am a traditional maker, although the customer’s style matter. Here it is: Miss J. Alexander’s new shoes!
photo:  Kyle Adams

   

and finally a video – how he presented it on the stage:

https://instagram.com/p/2cD-CfKIh4/


Now let’s talk about the terminology a bit.

1. Toe spring. The conversation about the toe spring is pretty old. It depends on schools and personal tastes. Bespoke makers rarely do high toe springs as it doesn’t count to be very attractive, shoe factories a lot. It is a fact that low toe springs has some disadvantages, but quite honestly it doesn’t affect the walking, even the lowest toe spring is very comfy (and if you have doubts – just check the sandals or flip flops – they have nothing). The other concern is the toe area, which might wear off faster. True, but it depends a lot more from the walking style. Shuffling doesn’t help a lot in any toe springs and in the worst case there are great quality toe tip metal plates. Anyway it is a question of taste.

2 toe spring

Let’s talk about comfort! Comfort is pretty much the room in the shoe, in case of a welted shoe (means: we will not talking about the relation between the of the constructions and the comfort.)

When we talk about old fashion fitting for normal feet, we measure the girth at certain points. (if you are not an orthopedic expert, please, please do not take orthopedic orders – you might hurt people and as a bad consequence: lose all of your money, house, etc in a lawsuit).

The most important point: ball, waist, instep, low heel measurement. these suppose to be enough for a good shoe, but an expert eye is necessary. I am not going to teach you how to measure a foot. That would be an illusion to think that you can learn it online, although I can share a few thoughts about it.

upper girth

2. The widths on the bottom. Fee are different. The same ball girth can indicate two identical foot, but nothing is farther from truth that this – a narrow, but higher foot can have the same girth than a wide and relatively flat. You don’t want them to squeezed into the same shoes. So the width is measured on the bottom, like this. It is a little bit more than 1/3 of the girth at the ball point. (again: this is average. We don’t deal with average at custom shoes)

5 toe width

9 shank width

3. Top girth. This is where the rest  of the girth goes. In case of the heel measurement – short heel, long heel, there is nothing going to the bottom, but everything on the top.

upper girth

4. Toe box. This is one of the parameter, what is possible to measure, although impossible to tell how the customer will perceive it. Just because it comfortably cover the toes, a static measurement will not say anything how much he moves his toes inside. Some people doesn’t have the urge to exercise his toes, some will have a panic attach if they can’t. Just consider primitive tribes when they try shoes on the first time. They will feel claustrophobic and get rid of the footwear as soon as they can (I did not make these experiments and I apologize that I can’t insert any links here – if someone finds something, please do not hesitate to share it). What do we expect from the toe box? Nowadays we try to keep it lower, although the elongated toes give a great chance to hide a bigger one. Some models intentionally designed to make it big, especially for special footwear like hiking boots. Bigger toe box, bigger comfort. How we can measure the REAL necessary toe box we need? We don’t, but we can try… This is why we make test shoes.

6 toe box

5. Top length. This will greatly affect the length of the topline, meaning: will it be easy to take the shoe on and will the laces be closed or not?

8 top length

 

to be continued…

 

ps. And again: thanks for DELCAM for these pictures!


 

 

 

 

When you step out from your first shoemaking course, fresh and inexperienced, you have no idea what you can expect. First of all: you teacher is not holding your hand anymore, when you need something – even a simple nail for lasting or a pretty basic tool – now it is your time to solve the problems. One of these problems – the last. Last is something you can’t get in the first hardware stores, neither the next town (except if you live in a town next to a last factory – in that case you probably don’t live in the US). Anyway – eventually you will find a factory and if you are persistent enough they will answer your mails, something like: “of course we can do ANYTHING!). Now you just have to find a toe shape and heel height and shoot the order! Genius!

Unfortunately it is a bit more complicated. Beside these two parameters are a ton more, which will define if you had the right one or something from the late 70’s, with some ridiculous toe spring and toe box… So let’s talk about these terms and understand the last characteristics.

1. Stick length. This is not the size of the last, but a few millimeters more – let’s say if you use your last to keep your elevator door open – this is how big the gap will be. Long story short – the curve in the back is added to the length. (although I hope you liked the elevator story too).

 

 

3 length

2. The bottom length. Now one would believe that this is the size… Well, not yet. As a matter of fact it can be a lot bigger. We will get there…

4 bottom length

3. Size. You can find a number in the side of your last probably – that is the SLL – the standard length. That is a size in a certain measurement (read this blogpost!). This is the standard size for a regular, rounded toe last, with a “normal extra” – around 2 cm. Why is that? Let’s just say we don’t want to wear potato shaped shoes – just think about flip flops. That would be a shape of that one. Sometimes even this 2 cm is not enough to create a certain style, that is when we add a “style extra”. The style extra can be literally anything, just think about krakows.

4. The size of the foot. When you were size 43 or US 9 or whatever, that is not your actual foot size, but way shorter. foot in the shoe

This illustrates pretty well this – the huge style extra will make the toe longer and still gives enough room for the foot. Why do we need extra room for our feet? Simple: because we walk and our feet works pretty hard. It is like when you work out and your T-shirt stretches around your muscles – the foot practically does the same. Our longitudinal arches stretch back an forth so we need extra toe room. If you ever tried a shoe in a store only sitting, then next day when you tried to walk, it gave you hell – then you know what I mean. ALWAYS try your shoes sitting, standing and walking.

To be continued.

ps. I made the images with Delcam Lastmaker – thanks Delcam!


  One of the new creation from my workshop. A lovely Budapester, which is a pretty old model, not an elegant, fine shoe, but a good friend for a long time. This pair will go for exhibitions – I realized that I need some for this purpose sometimes.

  
And a sneak peek from the workshop – an alligator/calf combo. Also a classic. I will get some better photo from this soon.


First we decided that we want to announce only in the symposium, but then after a few weeks of hesitation we wanted to give a chance to those who want to be founding members to be there in this historic moment.

So, here is a little Q&A – more will come as I receive more questions.

1. Is there any chance to watch online?
No. This is something unique. You need to be there to participate. We want to move this huge online community out f those comfy chairs to off-line, meet each others, make friends, learn new things, share experience, have conversations.

2. Is this an annual thing?
Yes. We plan like that, although if you don’t come because you only want to come next year… we might end up with a lot of potential, next-year visitors and a very few actual ones – that might not inspire us to do it again. So, if you can come – come.

3. What is the purpose of the Guild?
We made a long way with this craft with this forum, which is – not enough. We have 5579 members as of now – most of them just plan to make shoes in the future, some of them don’t find teachers, materials, need some more support than an online forum. With a Guild we can help, organize and promote education on a good level. This is very important. From the dozens of courses I would only suggest a few. Helping education will be our most important job. We, as a Guild also can build contacts with companies, association, we can receive help, we can do steps to preserve our common knowledge and most importantly – dosomething more than just talk – things, what we could never do as an invisible online community.

4. Why do we organize a symposium?

Simply… because we need this badly. Yes, there are a lot of other conferences, symposiums, meet-ups, although those are not ours. Not about our problems, our chances to change the future – and as a matter of fact not even about our topics specifically.

For the record: doing this is a brave step from us. Moving out a bunch of online people to do something physically is crazy hard. This will kind of separate those who are really want to do something for our craft, who really belong to the craft from those who have other important things – no offense please.

5. Can I register to be a member of the Guild?

Of course, as soon as we found it, but not automatically. We take that whoever comes to the Symposium is a serious footwear maker, but we will filter the applicants later on – this will not be an Internet group, we don’t want to be just another patch on someone’s jacket.

6. What is the other big announcement?

Well, that is… oh, almost I fell. :) It will be really big, even bigger than the Guild, I promise.


Many years back, I was afraid that we will see the end of shoemaking as there is no more education, no more teachers and as a matter of fact – no more students. Well, good news – it seem to change slowly and steadily. Since then I taught several hundred students, shared a bit from my knowledge, my passion – so I hope I can claim a tiny little bit in that success. Even if not – that doesn’t matter. We live in a renaissance, which is great.

Now what? As this old chapter ended – that doesn’t mean that we made it. The boogeyman of extinction might have gone for a little bit from the new light of dawn, although new ones came. The next challenge we have: maintain the level of craftsmanship, the quality the diversity of our techniques. What made shoemaking so great and high level a 100 years ago? Not the great tools or great leather – simply the competition and the respect of tradition. Hate to say that: dogmas. I use this word “dogmas”, like the collection of those techniques, little tricks, what we don’t have enough time to test, “trial and error”. One or even 10 lifetimes would not be enough for them – simple as this: consider how many thousand shoemaker, how many years come together in the knowledge what we learnt – we could have learnt from our forefathers. This is one of the reason, why a craft hardly accepts newcomers, with great ambitions. Not like we don’t like NEW. We love new. This is why we use metal tools, modern dyes, modern chemicals, etc. Ambitious amateurs are not equal new. Let’s just agree on this, OK? The fresh, new revolutionary, blah blah aspect probably will come from a pro, who knows what to change, why – and most importantly – if it has been done already or not. Do not misunderstand me, and mostly: misinterpret me. I like students, I like beginners. I encourage them, guide them, help them – this is why I share my knowledge, this is why I am a teacher.

Our future is in the hands of newcomers. Their smart choice of their teachers, masters, their work.


Hi. I am so lazy with this blog, but you guys still read this. Thank you very much! I promise I will be more active in the future – more craft related posts. This week a ton of interesting stuff happens – details later. Until then let me paste here, what I am going to do in the summer:

Shoemaking Course 2015 – Ashland, Oregon

The much anticipated summer course this year will be held in Ashland, Oregon this year. Since we received so many requests for an advanced technique class, the construction will be english welted.

The course will be held in Ashland, OR and will lead up to the Footwear Symposium. The Footwear Symposium will be the first official event of the Shoemaking Forum. We have a great lineup with speakers, vendors, workshops, demos. Click here if you wish to learn more about this great event. Moreover, if you take part in the course, you can participate in the Symposium for free!

So if you wish to learn as much about advanced shoemaking in a short amount of time, come join us in Ashland for summer course with Koronya Shoemaking Courses and the first Footwear Symposium!

Email us at info(at)shoemakingcourse.com to register for the course!

Further important information:

Time:

  • 10th June to 17th June
  • The duration of the course  8 continuous days

Location:

 

Ashland, Oregon, USA

What you will be learning:

English welted construction – all hands-on, you will take home the finished pair.

Design, pattern making and upper making. However, due to time and space restraints, we won’t be able to make those uppers into shoes. You will work with the ready made ones provided by us.

All sorts of tricks of the trade, business tips, etc.

The Koronya intensive course experience:

 

The intensive apprenticeship course focuses on the construction. We will do our best to provide you with the size of your choice, but supplies are limited. The point is not making shoes for your own use, but to learn the techniques.

You may bring your own lasts and design an upper and make the pattern on them. But the final shoes will be made on the lasts in the sizes that I provide, simply because the uppers we use are specifically designed on these, so they will definitely fit.

When we say intensive, we really mean it! Making a pair of hand welted shoes in eight days while learning the process of design, pattern making and upper making is demanding. Absolute commitment is required.

All materials will be superior quality Baker leather – Soles, insoles, stiffeners, welts.

All tools used are genuine shoemaking tools and will be provided to all students.

The price and what’s included:

The course costs $1800 USD

Use of all the tools required in the process

Use of lasts

Patterns made during the classes

One pair of hand-welted shoes, made by you

Water, coffee

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